News

 June 8, 17:00-18:30hrs

With Friedrich von Borries, Saskia van Stein and Ingo Offermanns.

For reservations: https://spui25.nl/programma/the-world-as-project

Organised in cooperation with: Goethe Institut Amsterdam and Spui25.

Future Cities - photos and stories from the world cities of tomorrow

For the last five years photographer Yvonne Brandwijk and journalist Stephanie Bakker travelled to five of the fastest-growing cities in the world. Not to Mumbai or Shanghai, but to the up-and-coming cultural, creative and economic hubs of tomorrow: Kinshasa, Lima, Yangon, Medellín and Addis Ababa.

Play the City & Jap Sam Books present 'The future of city gaming. Which games will help us to build the city of the future?'

From 8 to 17 September 2017, the Flanders Architecture Institute will be presenting the first edition of the Festival of Architecture (F/a). For a ten-day period, visitors will be able to discover architecture in all its guises.

We would like to ask your attention for the book launch of DIY Klarenstraat. A new perspective on the post-war social housing block

The influential architecture critic and professor emiritus Vincent van Rossem considers the U.J. Klarenstraat to be 'the future of urban renewal in Amsterdam'. He is not the only one with this opinion. The very first Do It Yourself walk-up apartment block was nominated for multiple awards. This book is a helping hand to anyone dealing with the transformation of existing real estate, in particular the post-war social housing block. 

In the West, we operate in a condition of interiority, an elaborate set of arrangements that are reflected in the built environment. These are the physical bases of the social contract, some of whose outcomes we might find unpalatable. There are realms within this condition where people become conscious of themselves in relation to their cities and others; and there are those in which this consciousness is sheltered, accommodated. 

The public interior is the pre-eminent public environment in the contemporary city. It is the space that historically and presently frames and situates the public. The public interior is, all too often, an instrument for the inculcation of predictable behaviour: a realm of control geared towards the acceptance of a social, political or economic order, rather than a realm for enfranchisement, association, or political action. Mark Pimlott’s recent book ‘The Public Interior as Idea and Project’ (Jap Sam Books, 2016) looked at a range of possibilities for the public interior that have emerged through time, finding––among the interiors as machines to which we have become supplicants––spaces for the imagination, for heightened consciousness of the self, the other and the world, interiors that offer a kind of freedom. The motifs employed by interiors that encouraged the latter are offered as models for the contemporary condition.