Arrow Fat Left Icon Arrow Fat Right Icon Arrow Right Icon Cart Icon Close Circle Icon Expand Arrows Icon Facebook Icon Instagram Icon Twitter Icon Hamburger Icon Information Icon Down Arrow Icon Mail Icon Mini Cart Icon Person Icon Ruler Icon Search Icon Shirt Icon Triangle Icon Bag Icon Play Video

Special offer

PRESENT Percentage for Art in the Netherlands 2004-2006

+++ +++

+++Tanja Karreman, Janine Schulze, Huib Haye van der Werf [eds]+++

ISBN

978-90-5973-060-1 [episode]

Graphic designer

Sander Boon

Number of pages

464

Book size

24.3 x 16.7

Binding

paperback with dvd

Available in English

special offer: now only € 12.50 instead of € 27,50 [the Netherlands] € 30,00 [Europe] € 33,00 [outside Europa]

+++

PRESENT. Percentage for Art in the Netherlands 2004-2006 is a detailed and illustrated overview of all the art commissioned under the 'one per cent' rule (which states that at least one per cent of the construction budget for a public building must be earmarked for art).
It clearly shows how the Government Buildings Agency tries to coordinate the art it has commissioned with the context of the user as well as with the architecture itself, a concern that has frequently resulted in both interesting and unconventional visual solutions.

Tanja Karreman, Janine Schulze, Huib Haye van der Werf [eds]

€12.50

PRESENT Percentage for Art in the Netherlands 2004-2006

Tanja Karreman, Janine Schulze, Huib Haye van der Werf [eds]

€12.50

Architecture / Art / Special offer

ISBN

978-90-5973-060-1 [episode]

Graphic designer

Sander Boon

Number of pages

464

Book size

24.3 x 16.7

Binding

paperback with dvd

Available in English

special offer: now only € 12.50 instead of € 27,50 [the Netherlands] € 30,00 [Europe] € 33,00 [outside Europa]

PRESENT. Percentage for Art in the Netherlands 2004-2006 is a detailed and illustrated overview of all the art commissioned under the 'one per cent' rule (which states that at least one per cent of the construction budget for a public building must be earmarked for art).
It clearly shows how the Government Buildings Agency tries to coordinate the art it has commissioned with the context of the user as well as with the architecture itself, a concern that has frequently resulted in both interesting and unconventional visual solutions.